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Future Productions

"Master Harold" ... and the boys

Begins October 18, 2016

In a small tea shop in South Africa, two black men and a young white boy joke and dance together, defying the brutalities of apartheid through their joyous love. But festering issues of family, race, and power are not so easy to ignore, and a single phone call can trigger catastrophe. Winner of the Drama Desk and London Evening Standard Awards for Best Play, “Master Harold”... and the boys reveals the profound personal consequences of oppression.

The Death of the Last Black Man in the Whole Entire World

Begins October 25, 2016

A woman tries to feed her husband a fried drumstick. Dragons roam a flat earth. The last Black man in the whole entire world dies again. And again. Careening through memory and language, Parks explores and explodes archetypes of Black America with piercing insight and raucous comedy. A riotous theatrical event, The Death of the Last Black Man in the Whole Entire World hums with the heartbeat of improvisational jazz.


Begins January 31, 2017

Branden Jacobs-Jenkins, who The New York Times calls “one of this country’s most original and illuminating writers,” comes back to Signature for the second production of his residency with the world premiere of Everybody. Directed by Lila Neugebauer, this modern riff on one of the oldest plays in the English language promises to be just as unique as Gloria, An Octoroon and the award-winning Signature production of Appropriate.

A New Play

Begins February 7, 2017

From Thom Pain to The Realistic Joneses, Drama Desk and Obie Award-winner Will Eno has proven to be a singular voice in the American theatre, writing plays with a style The New York Times has called “formally inventive, verbally dexterous…and excruciatingly truthful.” Eno completes his Signature residency with a world premiere production, which follows the extended Signature runs of Title and Deed and The Open House.

The Antipodes

Begins April 4, 2017

Pulitzer Prize-winner Annie Baker, who The New York Times has called “one of the freshest and most talented dramatists to emerge Off Broadway in the past decade,” returns for the second production of her Signature residency with a world premiere play, directed by Lila Neugebauer. The Antipodes follows John, her insightful, funny and mysterious first play at Signature, which sold out an extended run and appeared on the Top 10 lists of The New York Times, New York Magazine and Time Magazine, among others.


Begins April 25, 2017

Leaving her home in southern Africa for a better life, Saartjie Baartman became a star on the 19th Century London freak show circuit for the size of her posterior. This Obie Award-winning play gives vibrant life to the story of Baartman’s journey to London, her rise to fame as the “Hottentot Venus” and her eventual love affair with a French scientist. Inspired by the true story of Baartman, Venus is a wild carnival, bursting with humor and heart while examining the paradox of love.

The Red Letter Plays: In the Blood and Fucking A

2017-18 Season

Coming in the 2017-18 Season!
Remixing The Scarlet Letter, Nathaniel Hawthorne’s seminal masterpiece, The Red Letter Plays tear open notions of gender and hypocrisy with poetic honesty and exhilarating wit. In the Blood’s Hester La Negrita is a penniless mother of five condemned by the very men who loved her. Fucking A’s Hester Smith is an abortionist, forced to ply her trade to save her own son. Performed together for the first time, with a shared cast and director, the two plays form a thrilling and powerful indictment of American society.

Theatre For One

Fall 2016

Conceived by designer Christine Jones, Theatre for One is a vividly intimate theatrical experience where one actor performs for one audience member at a time. With its custom-designed booth located in the Griffin Lobby, Theatre for One will feature original short plays from Signature playwrights. All Theatre for One performances will be free.

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