New Signature Playwrights

New Signature Playwrights

New playwrights join Signature's residency programs

from left to right, headshots of new Signature Theatre playwrights Stephen Adly Guirgis, a man with gray hair and brown eyes in a black turtleneck, Dave Malloy, a man with dark brown hair and a mustaches and a beard in a black shirt, Dominique Morrisseau, a woman with dark brown hair, light brown skin in a red top against a white background and Lynn Nottage, a closeup of a woman with dark brown skin and red lipstick against a black background

Pulitzer Prize-winner
Stephen Adly Guirgis (Between Riverside and Crazy) will join Signature as the Residency One Playwright in our 2017-18 Season. Pulitzer Prize-winner Lynn Nottage (Ruined) will follow Guirgis as the Residency One Playwright during the 2018-19 Season. Residency One, Signature’s core one-year Playwright-in-Residence program, produces a series of plays from the body of work of one writer.

In addition, Obie Award-winner Dave Malloy (Natasha, Pierre & The Great Comet of 1812) and Kennedy Prize for Drama Award-winner Dominique Morisseau (Skeleton Crew) will join Signature’s Residency Five program, which guarantees playwrights three world premiere productions over the course of five years. 
“Signature has worked with tremendous playwrights over the past 26 seasons. I am delighted, in my first season as Artistic Director, to welcome these four writers to the company and look forward to giving them an artistic home,” said Artistic Director Paige Evans. “Stephen, Lynn, Dave and Dominique are gifted, dynamic writers whose work explores the human condition in insightful and distinctive ways. I cannot wait to celebrate them and share their work with Signature’s vibrant and diverse community.”

Playwright Biographies

Stephen Adly Guirgis

Stephen Adly Guirgis is a member and former co-artistic director of LAByrinth Theater Company. His plays have been produced on five continents and throughout the United States. His most recent play, Between Riverside and Crazy (dir: Austin Pendleton) premiered at Atlantic Theater Company, moved to Second Stage Theatre, and garnered numerous awards including the 2015 Pulitzer Prize for Drama. Other plays include: The Motherf***er with the Hat (6 Tony nominations, including Best Play, dir: Anna D Shapiro), Den of Thieves (directed by Max Daniels), Dominica The Fat Ugly Ho (dir: Adam Rapp), as well as Our Lady of 121st Street, Jesus Hopped the ‘A’ Train, In Arabia We'd All Be Kings, The Last Days of Judas Iscariot (Public Theater) and The Little Flower of East Orange (Public Theater) – all five directed by Philip Seymour Hoffman and world premiered at LAByrinth Theater Company. In London, his plays have premiered at The Donmar Warehouse, The Almeida (dir: Rupert Goold), The Hampstead (Robert Delamere), and at The Arts Theater in the West End (Dir: Philip Seymour Hoffman). As an actor, he has appeared in theatre, film and television, including roles in Alejandro Inarritu’s Oscar-winning Birdman, Kenneth Lonergan’s Margaret, Todd Solondz’s Palindromes, and Brett C. Leonard’s Jailbait opposite Michael Pitt. He co-created and executive produced Netflix's “The Get Down” with Baz Luhrmann. Other awards include: the Yale Wyndham-Campbell Prize, The Harold & Mimi Steinberg Award, PEN/Laura Pels Award, Whiting Award, TCG fellowship, Fringe First Award, NY Drama Critics Circle, L.A. Drama Critics Prize, and a Lucille Lortel Award. A former violence prevention specialist and H.I.V. educator, he lives in New York City.

Dave Malloy

Dave Malloy is a composer/writer/performer/orchestrator/sound designer. He has written eleven musicals, including Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a slice of Tolstoy’s War & Peace, now playing on Broadway; Ghost Quartet, a song cycle about love, death, and whiskey; Preludes, a musical fantasia set in the hypnotized mind of Sergei Rachmaninoff; Three Pianos, a drunken romp through Schubert’s “Winterreise”; Black Wizard/Blue Wizard, an escapist RPG fantasy; Beowulf—A Thousand Years of Baggage, an anti-academia rock opera; Beardo, a retelling of the Rasputin myth; Sandwich, a musical about killing animals; and Clown Bible, Genesis to Revelation told through clowns. He has won two Obie Awards, the Richard Rodgers Award, an ASCAP New Horizons Award, and a Jonathan Larson Grant, and has been a MacDowell fellow and Composer-in-Residence at Ars Nova. Future projects include adaptations of Moby-Dick and Shakespeare’s Henriad. He lives in Brooklyn.

Dominique Morisseau

Dominique Morisseau is the author of The Detroit Project (A 3-Play Cycle) which includes the following plays: Skeleton Crew (Atlantic Theater Company), Paradise Blue (Williamstown Theatre Festival), and Detroit ’67 (Public Theater, Classical Theatre of Harlem and NBT). Additional plays include: Sunset Baby (LAByrinth Theatre); Blood at the Root (National Black Theatre) and Follow Me To Nellie’s (Premiere Stages). She is an alumna of The Public Theater Emerging Writer’s Group, Women’s Project Lab, and Lark Playwrights Workshop and has developed work at Sundance Lab and Eugene O’Neil Playwrights Conference. Her work has been commissioned by the Hip Hop Theater Festival, Steppenwolf Theater Company, Women’s Project, South Coast Rep, People’s Light and Theatre, and Oregon Shakespeare Festival/Penumbra Theatre. She currently serves as Executive Story Editor on the Showtime series “Shameless.” Awards: Stavis Playwriting Award, NAACP Image Award, Spirit of Detroit Award, Weissberger Award, PoNY Fellowship, Sky-Cooper New American Play Prize, TEER Spirit Trailblazer Award, Steinberg Playwright Award, Edward M. Kennedy Prize for Drama (Detroit ’67), and OBIE Award (Skeleton Crew).

Lynn Nottage

Lynn Nottage is a Pulitzer Prize-winning playwright and screenwriter. Her plays include:  Sweat (Susan Smith Blackburn Prize); By The Way, Meet Vera Stark; Ruined; Intimate Apparel; Fabulation, or The Re-Education of Undine; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’knockers; and POOF!.  Nottage is the recipient of a PEN/Laura Pels Master Dramatist Award, Doris Duke Artist Award, American Academy of Arts and Letters Award, MacArthur “Genius Grant” Fellowship, Steinberg “Mimi” Distinguished Playwright Award, Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize, Obie Awards, Drama Desk Award, Lucille Lortel Award, NY Drama Critics' Circle Awards, Outer Critics Circle Award, Audelco Awards, Lilly Award, Helen Hayes Award, Lee Reynolds Award, NBT Fest's August Wilson Playwriting Award and a Guggenheim Grant. She is a member of The Dramatists Guild and the WGAE.

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